September 6, 2018 – Slate
The Agony of Bureaucracy
A conversation with Lydia Kiesling about The Golden State.
“The job Daphne drives away from is at a university that looks a lot like UC–Berkeley. How does your novel compare to other campus novels?
Some of my literary sensibility was for better or worse formed by novels like Lucky Jim, with a comic protagonist we are meant to see as Everyman. I’m amazed at how long it took me to realize not only that Lucky Jim is a terrible Everyman but that there’s a lot of harm written into that book—the casualties of the book (poor Margaret Peel) are presented as funny. I still love the book and have a soft spot for that campus-novel sensibility that is arch and judgmental and barbarously unempathetic, but it’s basically irreconcilable with the way women are socialized, and with the demands of motherhood. My book is in some ways the result of taking a Lucky Jim type of sensibility but putting it on a woman with a baby. Suddenly, the book is completely different. There are stakes.”
August 20, 2018 – The New Republic
The New Campus Novel
Julie Schumacher’s “The Shakespeare Requirement” is a playful, sharp satire of the horrors of modern academia.
“The Shakespeare Requirement takes on a department in a terrible state. English at Payne is not so much an intellectual nest of idiot vipers, as in The History Man, but rather a collection of people with very little energy left to give, trying in their semi-competent way to keep their subject alive in a hostile culture. Fitger is perhaps the least competent among them—he can barely use email, for example—but the travails of the novel end up testing his worth as a human being, not as an administrator.”
Posted in Bez kategorii, campus novel, college novel, The New Republic
Tagged Changing Places, David Lodge, Dear Committee Members, Elif Batuman, John Williams, Julie Schumacher, Kingsley Amis, Lucky Jim, Malcolm Bradbury, Mary McCarthy, Nice Work, Pictures from an Institution, Pnin, Randall Jarrell, Small World, Stoner, The Groves of Academe, The History Man, The Possessed, The Shakespeare Requirement, Vladimir Nabokov
July 31, 2018 – LA Review of Books
Leaps of Doubt in R. O. Kwon’s “The Incendiaries”
by Anna E. Clark
“IS THERE ANY TIME of life more racked by yearning and uncertainty than college? Not, at least, in R. O. Kwon’s The Incendiaries, a debut novel that cannily blurs the line between campus novel and cult lit. As Kwon depicts them, those aching years are a time for confronting the fuzziness of one’s beliefs, for wrestling with the problem of who we want to be.”
June 12, 2017 – chronicle.com
Evil Deans and the Academic Novel
“This summer’s selections will make you chortle, groan, or sigh with understanding and complicity — unless you are a dean.”
Posted in Bez kategorii
Tagged A New Life, Alfred Alcorn, Bernard Malamud, Bourne Morris, Cathy Perkins, David Fleming, It's All Academic, Jean Hanff Korelitz, Joanne Rendell, John Gardner, Kim A. Smith, Mickelsson's Ghosts, Murder in the Museum of Man, Saul Bellow, The Cora Crane School of Journalism, The Dean's December, The Devil and Webster, The Professor, The Professor's House, The Professors' Wives' Club, The Red Queen's Run, Willa Cather
Session organized within the framework of the
“Texts and Contexts: The Phenomenon of Boundaries” conference
Vilnius University Kaunas, Faculty of Humanities
This panel aims to explore the representations of different boundaries at work in academic fiction, non-fiction and film, be they referring to genre and its textual fabric, or the reality and different contexts these narratives depict.
Submissions can relate, but are not limited to, the following topics:
- Textual vs. material reality in academic narratives,
- Student-teacher boundaries and off-limits behaviors in academic narratives,
- Divisions in the academe,
- No limits – academic utopias and dystopias,
- Breaking the boundary of realism – sci-fi academic narratives,
- Limits of empathy and identification – academics reading and writing academic novels,
- Frontiers and trailblazers in the academe,
- Probing the limits of truth, or facts and fiction in academic narratives and life writing – autofiction, roman à clef etc.,
- Academic metafiction and breaking down of the fourth wall – writers writing about writers and writing,
- Limitless navel-gazing? Self-reflexivity in academic narratives, or academics writing about academe and academics
- Academic novel – genre boundaries and margins
Please send a short abstract (no more than 200 words) for a 20-minute paper, and a bio note by 6 February, 2017 to the session organizer Marta Lysik at firstname.lastname@example.org.
July 3, 2016 – chronicle.com
Academic Novels for Real People. So much for the classics; time to break open the juicy stuff.
“Question (from ‘Hegelia’): All right, I’ve read some of the books on last month’s list of classic academic novels, filled with profs performing intellectually in their native habitats. But where are the juicy academic novels?
Answer: That depends on what you mean by ‘juicy.’ For some readers of academic novels, the scholarly in-jokes are the whole point of the genre. These are the sort of readers who chortle about the literary-theory tidbits in John L’Heureux’s The Handmaid of Desire, or claim to know the real-life inspiration for the pushy promoter of ‘Diana Studies’ in Jennifer Vandever’s The Bronte Project.”
Posted in Bez kategorii, campus novel, Ms. Mentor, The Chronicle of Higher Education
Tagged Adrian Jones Pearson, Alex Kudera, Always There, Auggie's Revenge, Chris Wallace, Class Reunion, Cow Country, Elle Kennedy, Frankie Bow, Heads: A Campus Novel, I am Charlotte Simmons, Ian Flitcroft, Janice MacDonald, Jennifer Vandever, John L’Heureux, John Van der Kiste, Lauren Fremont, Lucy McConnell, Rona Jaffe, Stella Chance, Sticks and Stones, Taboo: Professor Wants Me Pregnant, The Academic Bride (Billionaire Marriage Brokers, The Bronte Project, The Campus Baller: A Sports Romance, The Case of the Defunct Adjunct, The Handmaid of Desire, The Reluctant Cannibals, The Score (Off Campus Book 3), Tom Wolfe