June 12, 2017 – chronicle.com
Evil Deans and the Academic Novel
“This summer’s selections will make you chortle, groan, or sigh with understanding and complicity — unless you are a dean.”
June 12, 2017 – chronicle.com
Evil Deans and the Academic Novel
“This summer’s selections will make you chortle, groan, or sigh with understanding and complicity — unless you are a dean.”
Posted in Bez kategorii
Tagged A New Life, Alfred Alcorn, Bernard Malamud, Bourne Morris, Cathy Perkins, David Fleming, It's All Academic, Jean Hanff Korelitz, Joanne Rendell, John Gardner, Kim A. Smith, Mickelsson's Ghosts, Murder in the Museum of Man, Saul Bellow, The Cora Crane School of Journalism, The Dean's December, The Devil and Webster, The Professor, The Professor's House, The Professors' Wives' Club, The Red Queen's Run, Willa Cather
How Tom Sharpe earned his seat at high table of campus fiction by Charles Nevin
Posted in campus novel, college novel, The Guardian
Tagged Coming from Behind, David Lodge, Don DeLillo, Elaine Showalter, Evelyn Waugh, Howard Jacobson, Jeffrey J. Williams, Jonathan Franzen, Kingsley Amis, Lucky Jim, Malcolm Bradbury, Mary McCarthy, Max Beerbohm, Nicholas Royle, Paul Auster, Philip Roth, Richard Russo, Saul Bellow, The Corrections, The Groves of Academe, The History Man, Tom Sharpe, Tom Wolfe
2006
2011
Last rites for the campus novel by John Dugdale
“Though currently very much on-trend, the campus novel is now approaching retirement age.”
http://www.theguardian.com/books/booksblog/2013/apr/01/last-rites-campus-novel
Posted in Bez kategorii, blogs, campus novel, college novel, The Guardian
Tagged A Very Peculiar Practice, A.S. Byatt, Alison Lurie, Andrew Davies, Bret Easton Ellis, Chad Harbach, Changing Places, David Lodge, Disgrace, Don DeLillo, Donna Tartt, Franny, I am Charlotte Simmons, J.D. Salinger, J.M. Coetzee, Jane Smiley, Jeffrey Eugenides, John Updike, Jonathan Franzen, Jonathan Lethem, Joyce Carol Oates, Kingsley Amis, Lorrie Moore, Lucky Jim, Malcolm Bradbury, Mary McCarthy, Memories of the Ford Administration, Michael Chabon, Mudwoman, Nice Work, On Beauty, Pale Fire, Paul Auster, Philip Roth, Pictures from an Institution, Pnin, Porterhouse Blue, Possession, Randall Jarrell, Ravelstein, Richard Powers, Saul Bellow, Small World, The Accursed, The Corrections, The Dean's December, The Groves of Academe, The History Man, The Human Stain, The Marriage Plot, The Rules of Attraction, The Secret History, Thinks…, Thomas Pynchon, Tom Sharpe, Tom Wolfe, Vineland, Vladimir Nabokov, White Noise, Wonder Boys, Zadie Smith
The American Scholar, Summer 2007
Love on Campus. Why we should understand, and even encourage, a certain sort of erotic intensity between student and professor
By William Deresiewicz
“Look at recent movies about academics, and a remarkably consistent pattern emerges. In The Squid and the Whale (2005), Jeff Daniels plays an English professor and failed writer who sleeps with his students, neglects his wife, and bullies his children. In One True Thing (1998), William Hurt plays an English professor and failed writer who sleeps with his students, neglects his wife, and bullies his children. In Wonder Boys (2000), Michael Douglas plays an English professor and failed writer who sleeps with his students, has just been left by his third wife, and can’t commit to the child he’s conceived in an adulterous affair with his chancellor. Daniels’s character is vain, selfish, resentful, and immature. Hurt’s is vain, selfish, pompous, and self-pitying. Douglas’s is vain, selfish, resentful, and self-pitying. Hurt’s character drinks. Douglas’s drinks, smokes pot, and takes pills. All three men measure themselves against successful writers (two of them, in Douglas’s case; his own wife, in Daniels’s) whose presence diminishes them further. In We Don’t Live Here Anymore (2004), Mark Ruffalo and Peter Krause divide the central role: both are English professors, and both neglect and cheat on their wives, but Krause plays the arrogant, priapic writer who seduces his students, Ruffalo the passive, self-pitying failure. A Love Song For Bobby Long (2004) divides the stereotype a different way, with John Travolta as the washed-up, alcoholic English professor, Gabriel Macht as the blocked, alcoholic writer. […] What’s going on here? If the image of the absent-minded professor stood for benevolent unworldliness, what is the meaning of the new academic stereotype? Why are so many of these failed professors also failed writers? Why is professional futility so often connected with sexual impropriety? […] Why are these professors all men, and why are all the ones who are married such miserable husbands?”
A student paper on a similar subject (analyses of Wonder Boys, On Beauty and The Art of Fielding):
http://scholar.harvard.edu/claybaugh/pages/biblarz-campus-novel-sex-campus-other-musings
Posted in campus novel, college novel, films
Tagged Chad Harbach, Crossing to Safety, Dead Poets Society, Herzog, In Her Shoes, Jeffrey Eugenides, Kepesh, Little Miss Sunshine, Mona Lisa Smile, Moonstruck, Oleanna, On Beauty, One True Thing, Philip Roth, Saul Bellow, Socrates, Surviving Desire, Symposium, Terms of Endearment, The Art of Fielding, The Life of David Gale, The Marriage Plot, The Squid and the Whale, Tuesdays with Morrie, Wallace Stegner, We Don’t Live Here Anymore, Who’s Afraid of Virginia Woolf?, Wonder Boys, Zadie Smith